Tag Archives: Paints

But I Don’t Need Any Paint!

I’m a paint snob! I only like quality brands and Golden is the only acrylic paint I use. Their fluid acrylics are the best and I can’t do without the Acrylic Glazing Liquid. Depending on the look I want: I paint it on the canvas before I add color, I mix it into the pigment to make it more transparent or to create a glaze, and I use it on top of the paint to blend it. These paints are easy to use and create consistent results and I recommend them to my adult students.

Going to the art supply store is one of the fun things we do on the weekend. It’s a toy store for artists but because my favorite store is 50 miles away, I make sure that my inventory of both acrylic paint and watercolor doesn’t get low. I don’t need paint but Golden has a new line of watercolors called QOR, and I couldn’t resist!  I purchased the High Chroma Set of 6 colors which contained Green Gold, Quinacridone Gold, Transparent Pyrrole Orange, Cobalt Teal, Dioxazine Purple and Quinacridone Magenta, in 5 ml tubes. The advertising copy says they are “amazingly brilliant” and its true! I’ve used most of the major brands of watercolors and these react in a different way and the colors glow!

For my basic palette, my favorite brand is DaVinci, the paint is high quality and the tubes are large, 37mL, and like Golden, they have always been helpful when I’ve had questions about a product.  Lately, I’ve been using Daniel Smith Watercolors because of all their unusual colors. I’m an artist who prefers to use 5 tubes of paint or less in a painting, so it’s fun to add in colors like Indanthrone Blue and Perylene Maroon.

Most quality brands of paint handle in a similar way, but QOR moves differently on the paper. Gum Arabic is the binder for watercolors but QOR uses a unique product.  There is a nice introductory video on the QOR site that explains the difference.   I needed to make a couple of adjustments to my technique to get the colors to flow one into another without hard edges. With the QOR colors it took more effort to accomplish the fluid look I want, but once I got used to the way it applied I didn’t have a problem. Watercolors come in transparent, opaque, and granulating which look uneven on the surface of the paper, these qualities give a painting its  character. I didn’t use any granulating pigments in the painting below, but the Cobalt Teal (included in the set) is  granulating and Semi-Opaque.  All the pigments I used were transparent, except Dioxazine Purple, which is semitransparent.  The colors are bright and clear and mix well with each other and they all have a similar intensity which gives the painting a contemporary look.

All the Stars int the Universe, Watercolor, 9" x 12", © 2014

Pamela Atkinson, “All the Stars int the Universe”, Watercolor, 9″ x 12″, © 2015,  Print available in Pamela’s Etsy shop.

I’m looking forward to trying some of the other QOR colors. I like the clean, bright quality of the paint. But I need to remember, that I don’t need any more paint!  

What’s your favorite paint?  Have you tried QOR?  What do you think?

Excavation

I’ve never met a creative person who isn’t a bit of a pack rat and I’m no exception! For the last couple of weeks, I’ve been reliving my creative past; in other words, I’ve been cleaning out closets. Excavating, evaluating, and marveling at the amount of stuff I have accumulated. I knew I’d been saving things in case I needed them but some of the things I found were long forgotten and sometimes, even now, impossible to part with; like the scrapbook of ideas I made when I was 20. I don’t recall making it but it is so me that it’s surprising; the person I am now and the person I was aren’t that much different. I went so far as to put the book on the throw away pile but I had second thoughts and it’s nestled on the top shelf of the closet destined to be found again sometime in the future. A sweet reminder of my youthful style.

Pam and work 1985

Thank you Janice Mercure, you took this picture of me (Pamela Atkinson) and one of my handmade paper reliefs a long time ago and it was one of the things I was happy to find.

Over the years, my artwork has gone through changes and the supplies I unearthed reflected my interests and preoccupations. I found the best work I made in college and photo’s of artwork I’ve sold. These things will stay but I’ve been ruthless and only the treasures I’ll be happy to find in the future are packed away.  My twenty year old silk screen inks are at the toxic waste disposal.

Reflecting on how my style has changed and being able to look back on what was happening in my life when I created the work is a bonus.  Finding the elements that tie my diverse body of work together is fun and not surprising.  I started out as a painter and became a fiber artist, who became a paper maker,  who went back to painting.  I want to always be a painter.  I feel fulfilled using a brush and pigments.  My stint as a fiber artist in college had more to do with a supportive professor and a hospitable creative environment.  A good teacher can make a big difference in a artist’s life.

The ideas I want to express have changed overtime but the core thoughts are ever-present.  A curiosity about the unknown, the spiritual, femininity and strength are as important in my work now as they were in the beginning.

Please leave a comment, I’d love to hear if time has changed your artwork or not.

 

 

Blank White Space

Watercolor, work in progress. © 2015 by Pamela Atkinson

I’ve been busy finishing one of my acrylic paintings. It forms the second half of a diptych and together the two canvases make a strong and complex statement. Now, I’m faced with starting my next work and it needs equal care and consideration. I must put aside any fear I have of the blank white space before me, plunge in, and trust that I will make good decisions about color, form, and composition. These things usually take care of themselves, but the white canvas is daunting.

Making art is a mind game, it take courage to continue. I cope with the fear of creating by working on more than one painting and in more than one medium at a time.  For me, working on a watercolor and switching  to acrylic painting allows me to use all my skills and techniques.  For a couple of years, I gave up painting on paper and I missed it. I love the freedom of mixing the pigments on paper and trying colors to see how they combine. If a mishap occurs and the colors looks muddy or jarring, quickly lifting up the paint to get back to  a white surface is a challenge I enjoy.    With Acrylics I can white out something I don’t like and start again. The discoveries I make about myself, my thoughts, and the materials are worth any momentary discomfort.

Do you have any fears about creating? If so, please share them. All my years of painting and teaching tell me you are not alone.